Academic

Multi-channel Poetics paper

To help give an overview of the presentations at Critical Animals check out the conference report, Critical Animals Don't Chew the Fat, I wrote which is published at ANU's blog: underthesun.In the comments section of this post I've put the paper I delivered at the program. I put my ideas-in-formation into an XYZ coordiante to…

I’m a Critical Animal

I'm off again but this time to the Newcastle This is Not Art Critical Animals Program. I'm chairing the following session:The Birth of Celluloid Day/Time : Thursday 30/9 11:00 AM - 12:30 PM Location: Newcastle Regional Library Theatrette Through Practical Audio-Visual work and theoretical engagement with screen theories, Stefan Popescu articulates a hybrid audio-visual aesthetic…

Categorising Multi-Channel Works

Do categorisations help? After a post by Adam (see 'Another Transmedia Researcher') and my experiences with many 'networked narrative environments' (Andrea Zapp) at BEAP04, I've been thinking more about how and why multi-channel works can and should be categorised. With the great variety of works that have more than one modality (image, sound, text, object...)…
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